- Reductio ad Absurdum (2024) for orchestra (9′ ca.)
2.2.2.2. – 2.2.1.1. – Timp. – 1 Perc. – A.
- Water Ghosts (2023) for orchestra (11′ ca.)
2.2.2.2. – 2.2.2.1. – Timp. – 2 Perc. – A.
- Requiem (2021) for soloists, choirs and orchestra (17′ ca.)
3.3.3.3. – 4.3.3.1. –Flic. Sopr. – Timp. – 3 Perc. – Ar. – Fis. – A. Mezzosoprano, Countertenor, Mixed Choir, Children’s Choir
- Far bastare il no (2024), for ensemble (11′ ca.)
Fl. – Ob. – Cl. – Tr. – Pf. – 1 Perc. [Vibr., Gc., P. Sosp., Tr., Bng., T. T.] – 2 Vni. – Vla. – Vc.
- Zirconio Pulido (2023), for ensemble (10′ ca.)
Fl. – Ob. – Cl. – Pf. – Vno. – Vla. – Vc.
- Stoical Dream (2022), for ensemble (7′ ca.)
Fl. – Pf. – 1 Perc. [P. Sosp., Bast. piog., Vibr., Gc., W. Block, Bng., Cro.] -Vno. – Vc.
- Door. Thoughts. Light (2024), for clarinet, violin and plastic objects (6′ 00” ca.)
- Verklärung des Lichts (2024), for string sextet (5′ ca.)
- Quello che cerco (2024), for violin and piano (10′ ca.)
- Fiumêna (2023), for two classic guitars (5′ ca.)
- Quello che non ti aspetti (2023), for string sextet (10′ ca.)
- Window. Breath. Clouds. (2023), for clarinet, alto sax and plastic objects (6′ 30” ca.)
- L’ultimo sguardo (2023), for violin and piano (7′ ca.)
- Soli sotto lo stesso cielo (2022), for alto sax and piano (6′ ca.)
- Canto XIV (2022), for two alto saxophones (2′ ca.)
- L’inesorabile scorrevolezza del tempo (2022), for flute and piano (5′ ca.)
- Semi nelle mani di un soldato (2022), for cello and piano (5′ ca.)
- Quello che ho perso (2022), for violin, cello and piano (12′ ca.)
- Quello che resta (2021), for string quartet (12′ ca.)
- Re-cuerdo de Madre (2024), for piano (21′ ca.)
- Dissimili figure (2024), for alto flute (7′ ca.)
- Proiettili di Pace (2024), for euphonium (7’30” ca.)
- Omonoia (2024), for bass clarinet (7′ ca.)
- Ofrenda (2023), for one percussionist (11′ ca.)
- Studio sulla metamorfosi dell’acqua (2022), for piano (7′ ca.)
- Battiti (2021), for piano (5′ ca.)
- Figure del dissimile (2021), for flute (7′ ca.)
- Spring in Japan (2020), for piano (14′ ca.)
- Holzman effect (2019), for guitar (5′ ca.)
- 3 : 2 = 2 : 3 (2024), for flute, clarinet and guitar (28′ ca.)
[co-composition by Graziano RICCARDI and Andrea SIANO]